Flexatone HFP
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Ariza
  • Electronics Ensemble
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Works for Live Electronics Ensembles and Laptop Orchestras

Works composed for six or more performers using laptops running Pure Data (Pd) and dual-analog game controllers. This works are made possible through the Martinglae Pd Library.

Work II

for six or more live electronics performers with laptops and dual-analog gamepads

This work moves through three contrasting sections. Variations in density and tension, formed by contrasts in speed, continuity, and gesture, are the focus. Performers vary control between direct articulations, generative textures, and improvisatory gestures.

This piece was premiered and realized by students of 21M.380, Live Electronics Performance Practices, a course taught by the composer and offered by the MIT Music and Theater Arts section. This is a live recording of a performance.

Work III

for six or more live electronics performers with laptops and dual-analog gamepads

Textural contrast and density are critical attributes of this piece. Heterophony is used as a context for polyrhythm and polytexture.

The performers are divided into three groups. The large-scale form is organized into a sequence of timed scenes, defined for each group by textual instructions and programmed sound sources and systems. The performers, however, are constantly improvising: they are given both direct performative control and higher-level process control. Improvisation is combined with numerous levels of algorithmic control, from shaping low-level stochastic synthesis to manipulating and combining high-level dynamic patterns. Each performer uses only a dual-analog gamepad, the interface controlling multiple sound sources and changing its functionality for each scene of the work.

This work is designed to be open and portable. The complete cross-platform control and synthesis system, implemented as part of the Martingale Pure Data library, is open source and distributed freely. Numerous varieties of dual-analog gamepads are supported. Audio samples used in this work were obtained from The Freesound Project, and are licensed under the Creative Commons Sampling Plus 1.0 License.

This piece was premiered by students of 21M.380, Live Electronics Performance Practices, a course taught by the composer and offered by the MIT Music and Theater Arts section. This studio recording was created by the composer, performing each part one at time.

Dual-analog controller

The dual-analog gamepad controller. The Martingale Pd library features numerous instruments and compositions employing this controller. More information.